Tussen klassiek en romantiek heeft Mozart drie vrouwelijke muzikale geestverwanten: Hélène de Montgeroult, Fanny Mendelssohn en Clara Schumann.
Fortepianiste Rosalía Gómez Lasheras schrijft over haar repertoirekeuze voor dit voorjaarsprogramma: “The program shows the development of the piano solo repertoire during an especially fascinating period: the first half of the 19th century. From Mozart’s pre-romantic features to Mendelssohn’s virtuoso writing. Besides, it includes lesser-known female composers such as Hélène de Montgeroult”.
Hélène de Montgeroult, born March 2, 1764 in Lyon and died May 20, 1836 in Florence, was a French composer and pianist.
Recognised as one of the best fortepiano performers and improvisers of her time, and a published composer, Montgeroult adapted to the rapid development of her instrument by makers such as Erard.
She is considered by her biographer Jérôme Dorival as a bridge between classicism and romanticism.
He describes her as “the missing link between Mozart and Chopin”.
Programma:
H de Montgeroult: Fantasie in g-moll (1830)
W. A. Mozart: Sonate in F-Dur, KV. 332 (1784)
I. Allegro
II. Andante
III. Allegro assai
C. Schumann: Variationen über ein Thema von Robert Schumann, Op. 20 (1853)
F. Mendelssohn: Fantasie in fis-moll “Sonate écossaise”, Op. 28 (1833)
Dit concert is onderdeel van de Geelvinck Salon. Tickets zijn te bestellen via de groene knop bovenaan dit artikel.